For The 1st Time, Architecture's Most Prestigious Prize Is Awarded To 2 Women | Prairie Public Broadcasting

For The 1st Time, Architecture's Most Prestigious Prize Is Awarded To 2 Women

Mar 3, 2020
Originally published on March 4, 2020 8:08 am

In a video released by the Pritzker Architecture Prize, commonly seen as the Nobel of the architecture world, the winners look directly into the camera and introduce themselves in soft Irish accents.

Yvonne Farrell, left, and Shelley McNamara are the 2020 winners of the Pritzker Architecture Prize. They are pictured above in Venice, Italy, in May 2018.
Antonio Calanni / AP

"My name is Shelley McNamara."

"And my name is Yvonne Farrell."

McNamara and Farrell co-founded their firm 42 years ago in Dublin.

"Our name, Grafton Architects, comes from the street where we set up our first office, on Grafton Street," McNamara explains. "And we were a group of five architects, and we had this idea of making a collective practice, so we called ourselves after the street. So we are anchored in our own place and our own culture."

It's a telling detail that the firm was named for its place in the city, and not after the architects themselves, says Robert McCarter, an architecture professor at Washington University in St Louis. His book about Grafton Architects came out in 2018.

"Their practice is grounded in the specifics of place," he told NPR. "Dublin and Ireland are very important. And they say their practice is committed to the cultural ethics of buildings, so it's an ethics that's all-encompassing of the culture in which they work."

Loreto Community School in Milford, Ireland.
Ros Kavanagh / Pritzker Architecture Prize

Farrell and McNamara met as architecture students at University College Dublin in the mid-1970s. Not much was happening in Ireland at the time architecturally, McCarter says, and Grafton Architects didn't start making much of a splash until the early 1990s, when the Irish economy started taking off. They designed a building for Trinity College in Dublin, houses and schools, and with other young architects they helped transform Dublin's Temple Bar Square into a lively, pedestrian-friendly commercial destination.

In fact, Grafton Architects didn't design a single building outside of Ireland until 2003, when the firm won an international competition to design the prestigious school of economics at the Universita Luigi Bocconi in Milan. The building was completed in 2008.

Universita Luigi Bocconi in Milan, Italy.
Federico Brunetti / Pritzker Architecture Prize

"It's a series of big blocks that are made of stone, they're very opaque, and it has a glass bottom so along the street, it's very beautiful," says Sarah Whiting, dean of Harvard's Graduate School of Design. "You feel like you're enveloped in the embrace of a tough building. It feels like its own world."

Université Toulouse 1 Capitole in Toulouse, France.
Dennis Gilbert / Pritzker Architecture Prize

The building was an immediate sensation in international architecture circles. It was named World Building of the Year at the inaugural World Architecture Festival in 2008 and launched Grafton Architects as a leading designer of university buildings. The firm took on high-profile projects at the University Campus UTEC Lima in Peru, in France and in the United Kingdom, where they're currently finishing a project for the London School of Economics.

"We're passionately interested in education," McNamara said during a 2015 lecture at the KTH Royal Institute of Technology in Sweden. "The university should be a place where knowledge is tended to like a garden. And we're the guardians of knowledge."

Farrell and McNamara have worked consistently as professors as well as designers throughout their careers — unusual for architects of their stature. Both say teaching is an ongoing source of creative replenishment. And of course, they're also unusual in their gender. Only three other women have won the Pritzker Architecture Prize in the past — Zaha Hadid in 2004, Kazuyo Sejima in 2010 (with Ryue Nishizawa) and Carme Pigem in 2017 (with Ramón Vilalta and Rafael Aranda). Whiting describes Farrell and McNamara's selection as "satisfying."

Institut Mines Télécom in Paris, France
Alexandre Soria / Pritzker Architecture Prize

"They're phenomenally good architects," she says, calling their style "forthright" and "beefy," drawing on brutalist traditions. Plus, she adds, this year's Pritzker selection reflects the profession's changing realities. "The field of architecture has a lot of women in it right now," Whiting says. "The schools have been 50% women for, oh, 20-25 years."

Farrell and McNamara received raves when they curated the world's largest architecture exhibition, the Venice Biennale, in 2018. "Generosity and thoughtfulness" was their theme. The two often invoke the metaphor of the flying island of Laputa in Jonathan Swift's novel, Gulliver's Travels. It's a place that the inhabitants know how to maneuver. They spend their time listening to the music of the spheres but they are continually worried that the sun will go out. It's a potent metaphor for the moment, Farrell said in a speech last month accepting the 2020 Royal Gold Medal from the Royal Institute of British Architects.

"There is something interesting about that, just thinking about where we are now, and how we imagine ourselves optimistically with all the potential that architecture inherently has," she said. "To make new worlds and to make new futures."

Copyright 2020 NPR. To see more, visit https://www.npr.org.
The Urban Institute of Ireland in Dublin
Ros Kavanagh / Pritzker Architecture Prize

MARY LOUISE KELLY, HOST:

The most prestigious award in architecture was announced today. For the first time, it is going to two women who work together. Here's NPR's Neda Ulaby.

NEDA ULABY, BYLINE: The architects introduced themselves in a video released by the Pritzker Architecture Prize.

(SOUNDBITE OF ARCHIVED RECORDING)

SHELLEY MCNAMARA: My name is Shelley McNamara.

YVONNE FARRELL: And my name is Yvonne Farrell.

ULABY: Farrell and McNamara are Irish. They co-founded their architecture firm 42 years ago in Dublin.

(SOUNDBITE OF ARCHIVED RECORDING)

MCNAMARA: Our name, Grafton Architects, comes from the street where we set up our first office. So we are anchored in our own place and in our own culture.

ULABY: It's telling that they did not name the firm after themselves, says Sarah Whiting. She is dean of Harvard's Graduate School of Design. The name Grafton illustrates a commitment to existing spaces and fitting into them, she says. And she's delighted by the choice.

SARAH WHITING: It's a really satisfying announcement, and they are just phenomenally good architects.

ULABY: Whiting says the Grafton style draws on brutalist traditions. Their buildings are massive, boxy and monumental. But they also embrace you in form and light.

WHITING: It's very strong architecture. Their buildings are very inviting, even though they're pretty beefy buildings, frankly.

ULABY: One of their best-known is the School of Economics in Milan, Italy, which they designed using heavy gray local stone. The top evokes a Legoland geologic formation, but the street level is luminous glass. Architect Shelley McNamara said in a 2015 lecture in Stockholm it's supposed to feel as though it's floating above the city, in answer to the drama of the Piazza del Duomo.

(SOUNDBITE OF ARCHIVED RECORDING)

MCNAMARA: There was also this sense of ground and sky - that we would carve the ground and that we would make a kind of a sky world which would hover over that ground.

ULABY: This was Grafton's first building outside of Ireland, says Robert McCarter. He's an architecture professor at Washington University in St. Louis, and he wrote a book about Grafton Architects. He says the design required a thousand faculty offices. They seem suspended above the building in long, rectangular rows clad in glass.

ROBERT MCCARTER: Which means they have light, but they also become kind of a filter through which the skylight pours down into the spaces below.

ULABY: Grafton Architects has become a leader in designing university buildings in Paris, Lima and London. And Shelley McNamara and Yvonne Farrell met as architecture students. Buildings for schools, they say, need to be both marketplaces and monasteries.

Here's Yvonne Farrell in 2014 at the Royal Academy of Arts.

(SOUNDBITE OF ARCHIVED RECORDING)

FARRELL: If you put students into a certain kind of space, they will expect to be fed. If you put them into another kind of space, they will expect to be challenged, or they're automatically challenged.

ULABY: Challenge is nothing Grafton Architects shy from, says Robert McCarter. And he's pleased this award is the latest in a string of high-profile honors.

MCCARTER: I don't think there's anybody working in the world right now that's quite in the same league with them. They're really amazing. And there's a whole variety of reasons. One is that their buildings fit so well in these historic contexts. I mean, they get the toughest sites in some of the cities.

ULABY: Yet they make cities seem to flow into their big statement buildings, he says.

MCCARTER: They don't really look like anything else that's been there before. But at the same time, when you use it, it's - it totally connects the city back together again.

ULABY: The Pritzker jury cited Grafton Architects' integrity and generosity in awarding them the prize. It's gone to women before, but never to two women working together. At a time when architecture schools are more than 50% female but men still dominate the field's upper reaches, McCarter says choosing Yvonne Farrell and Shelley McNamara is nearly as inspired as the architects themselves.

Neda Ulaby, NPR News. Transcript provided by NPR, Copyright NPR.